Cort Little CJ Walnut open Pore
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Castlebar 094 9025 896 / Galway 091 568 719
The Little CJ Walnut has all of the same great features as the CJ Mini OP but with a Walnut back and sides for a luxurious look and feel that makes it stand out from the crowd. The arched back provides greater comfort as well as an enriched sound. Other features include Mahogany neck, Ovangkol fingerboard, 23.5” (597mm) scale length, Fishman Presys II electronics and a gig bag. For additional comfort, the V-shape neck profile enhances fretting hand comfort up and down the neck. Get superb comfort and unmatched portability along with pro-level features and the boutique high-end look to play your heart out in virtually any environment.
3/4 JUMBO BODY
The smaller size makes it ideal for the mobile musician or for the casual hobbyist who wants to take a good-sounding acoustic on vacation or business travel.
SOLID SITKA SPRUCE TOP
Spruce provides an ideal balance between strength and flexibility, hence its overwhelming popularity as the wood of choice for tops of acoustic guitars. Spruce’s versatile sonic character makes it ideal for a variety of musical genres and playing styles.
WALNUT BACK & SIDES (ARCHED BACK)
Bright yet natural with a strong and warm midrange, the beloved Walnut wood has been a standard for back and sides on premium acoustics for many decades.
VINTAGE OPEN GEAR MACHINEHEADS
Relatively lightweight open gear tuners (18:1 tuning ratio) makes the tuning process a breeze.
Fishman® PRESYS II
The Fishman® Presys II Preamp with 2-band equalization, built-in tuner and a Phase switch for effective tone shaping and noiseless operation during live performances.
Although a mini-sized acoustic body, the scale length of 597㎜(23.5”), soundhole size, body thickness and size of the headstock have all been optimized to produce the best possible sound quality and performance as well as enhanced playability for guitar players with small hands and physique.
The exclusive scooped surface bridge from Cort enhances sustain with greater string angle from the saddle to the body while reducing tension on the strings across the neck were less finger fatigue and improved playability.
COMFORTABLE V NECK SHAPE
A commonly used neck shape on downsized acoustics for ease of playability, the V-neck shape is easier for smaller hands to grasp and maneuver.